The garret rooms seemed dark and cold, even without the drapings of black cloth over favored possessions and treasured pictures. The ending of a life was never an easy transition, made worse when the life ended left behind a vulnerable young person who needed the care that was no longer present. Edith Gosforth sat across the table from young Clara Peterson, wishing the younger woman could see her sad smile.
"You have a place with us, Clara," she was saying. "Your father was a dear friend, and you are a dear friend as well. Your room is made up, waiting for you. Once you are packed, we will welcome you into our home."
Clara's unseeing eyes smiled, even if her face did not. "Thank you, Mrs. Gosforth," she said softly. "I understand you have others staying under your roof as well?"
"Yes, I have several," Edith told her. "A handful of young performers, members of the chorus and orchestra at the opera house. My own daughter, Margaret. And ..." She hesitated, but went on regardless. "And one other, whose circumstances may make him a little reticent to engage with you ..."
"I do know Margaret," Clara said, nodding slowly as she took this in. "But this other - I assume you refer to your son. Why would he not wish to engage socially with me?"
There was a very good reason for that, one that Edith was loathe to tell most people, but if Clara was to be part of their household, she needed to know ...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Fifteen years ago, London ....
The traveling circus had never been more popular than it was during the Victorian age, where men and women could line up to see all kinds of oddities for a price. It was no secret that the poor souls who were featured in such shows were often mistreated, but no one seemed to care so long as they were entertaining. The poor creatures who had fallen in with the circus had often done so because it was their only means of survival. They were too different to be part of civilized society, and so they found themselves here - outcasts, sometimes even among themselves. Our story concerns one such outcast in particular and how a chance meeting came to change his life on one particularly dreary day in London.
"Come one, come all to the Menagerie of Marvels!" the carny's voice called, doing his best to draw a crowd. "See the strange, the bizarre, the beautiful, and the grotesque! Oddities of all kinds! Guaranteed to delight and disgust. Smelling salts for those of a more delicate constitution provided for a nominal fee," he added for good measure.
Pulled along by some friends, the young widow Edith Gosforth sighed as she was drawn into the crowd gathering around the carny calling for attention. She had been coaxed to come out after several months spent with her young daughter alone in their rented tenement, and had finally given in, only to be brought to an entertainment she secretly thought was disgusting.
The carny was not particularly charming himself, nor was he meant to be. He was greasy and unkempt and reeked of cheap alcohol, but that hardly mattered. He wasn't the one on display, after all. Once he had managed to gather what he deemed a large enough crowd, he pulled back a curtain to allow them entry, for a small fee, of course. Behind the curtain were amassed a variety of displays, spread out upon the ground, some in cages, some on small makeshift stages. Each one as uniquely tragic as another.
A penny to enter was a little steep, in Edith's view, but she moved along inside with her friends, a faintly pained smile on her face as they passed stages and cages of poor unfortunates forced on display and to perform for the gawking discompassion of their audience. But it was the children who made her heart ache. Most were with what she assumed were their parents, had perhaps been purposely deformed for the circus itself. It was an awful thing to see. She felt sick for having given money to the man who profited from it.
There were no more than twenty of the poor souls, some with family members, some on their own, spread out in a semi-circular fashion. Small crowds formed before each display which included such oddities as the so-called "bearded lady", "dog man", and "tattooed man", but there was one oddity in particular that concerns our story - the of the "devil-faced boy". This one never failed to draw a crowd and often caused a female or two to swoon in shock and terror, as newcomers to the menagerie would soon find out.
Pushed and jostled in the crowd, Edith found herself nudged to the front, as though everyone around them wanted her to get a good view, since she was a small woman. They were laughing and jeering, taunting the people on display, but all she saw was a skinny, malnourished young boy, his head covered with a burlap sack that had eyeholes cut into it, holding a small clockwork monkey that played the cymbals as a tinny tune rang out.
"Come, see the boy with the voice of an angel and the face of a demon!" the carny called, as he strutted around inside the cage, while the boy cowered in the corner, visibly trembling either with cold or with fear.
"Tell me, ladies and gents, would you like to hear him sing?" the carny implored the crowd. He was answered with silence for a moment as the crowd seemed to decide and then a male voice from the back shouted,
"Show us his face. That's what we paid for!"
"Ah, now, patience, my lovelies," the carny chided the crowd. "First things first."
"Can't you see he's frightened?" Edith heard herself burst out, surprised by her own daring. "Leave him alone, for pity's sake!" Beside her, one of her friends tugged on her sleeve, shushing her quickly.
Neither the carny nor the crowd seemed to notice or care about the woman's outburst, but the boy's head turned her way, dark eyes behind the sack widening in astonishment.
"First the song," the carny continued, seeming not to notice anything amiss.
He'd seen it all, after all, and dealt with unrulier crowds than this one. The coins were all that really mattered, and the boy would get his meal later, like the rest of them. It would be enough to keep him alive anyway, even if it did little to nourish. He strutted toward the corner where the boy was still cowering, brandishing a stick, with which he poked at the boy's arm.
"Sing for them, lad. Let them hear your voice," he urged, though there was no gentleness in his tone.
"You have a place with us, Clara," she was saying. "Your father was a dear friend, and you are a dear friend as well. Your room is made up, waiting for you. Once you are packed, we will welcome you into our home."
Clara's unseeing eyes smiled, even if her face did not. "Thank you, Mrs. Gosforth," she said softly. "I understand you have others staying under your roof as well?"
"Yes, I have several," Edith told her. "A handful of young performers, members of the chorus and orchestra at the opera house. My own daughter, Margaret. And ..." She hesitated, but went on regardless. "And one other, whose circumstances may make him a little reticent to engage with you ..."
"I do know Margaret," Clara said, nodding slowly as she took this in. "But this other - I assume you refer to your son. Why would he not wish to engage socially with me?"
There was a very good reason for that, one that Edith was loathe to tell most people, but if Clara was to be part of their household, she needed to know ...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Fifteen years ago, London ....
The traveling circus had never been more popular than it was during the Victorian age, where men and women could line up to see all kinds of oddities for a price. It was no secret that the poor souls who were featured in such shows were often mistreated, but no one seemed to care so long as they were entertaining. The poor creatures who had fallen in with the circus had often done so because it was their only means of survival. They were too different to be part of civilized society, and so they found themselves here - outcasts, sometimes even among themselves. Our story concerns one such outcast in particular and how a chance meeting came to change his life on one particularly dreary day in London.
"Come one, come all to the Menagerie of Marvels!" the carny's voice called, doing his best to draw a crowd. "See the strange, the bizarre, the beautiful, and the grotesque! Oddities of all kinds! Guaranteed to delight and disgust. Smelling salts for those of a more delicate constitution provided for a nominal fee," he added for good measure.
Pulled along by some friends, the young widow Edith Gosforth sighed as she was drawn into the crowd gathering around the carny calling for attention. She had been coaxed to come out after several months spent with her young daughter alone in their rented tenement, and had finally given in, only to be brought to an entertainment she secretly thought was disgusting.
The carny was not particularly charming himself, nor was he meant to be. He was greasy and unkempt and reeked of cheap alcohol, but that hardly mattered. He wasn't the one on display, after all. Once he had managed to gather what he deemed a large enough crowd, he pulled back a curtain to allow them entry, for a small fee, of course. Behind the curtain were amassed a variety of displays, spread out upon the ground, some in cages, some on small makeshift stages. Each one as uniquely tragic as another.
A penny to enter was a little steep, in Edith's view, but she moved along inside with her friends, a faintly pained smile on her face as they passed stages and cages of poor unfortunates forced on display and to perform for the gawking discompassion of their audience. But it was the children who made her heart ache. Most were with what she assumed were their parents, had perhaps been purposely deformed for the circus itself. It was an awful thing to see. She felt sick for having given money to the man who profited from it.
There were no more than twenty of the poor souls, some with family members, some on their own, spread out in a semi-circular fashion. Small crowds formed before each display which included such oddities as the so-called "bearded lady", "dog man", and "tattooed man", but there was one oddity in particular that concerns our story - the of the "devil-faced boy". This one never failed to draw a crowd and often caused a female or two to swoon in shock and terror, as newcomers to the menagerie would soon find out.
Pushed and jostled in the crowd, Edith found herself nudged to the front, as though everyone around them wanted her to get a good view, since she was a small woman. They were laughing and jeering, taunting the people on display, but all she saw was a skinny, malnourished young boy, his head covered with a burlap sack that had eyeholes cut into it, holding a small clockwork monkey that played the cymbals as a tinny tune rang out.
"Come, see the boy with the voice of an angel and the face of a demon!" the carny called, as he strutted around inside the cage, while the boy cowered in the corner, visibly trembling either with cold or with fear.
"Tell me, ladies and gents, would you like to hear him sing?" the carny implored the crowd. He was answered with silence for a moment as the crowd seemed to decide and then a male voice from the back shouted,
"Show us his face. That's what we paid for!"
"Ah, now, patience, my lovelies," the carny chided the crowd. "First things first."
"Can't you see he's frightened?" Edith heard herself burst out, surprised by her own daring. "Leave him alone, for pity's sake!" Beside her, one of her friends tugged on her sleeve, shushing her quickly.
Neither the carny nor the crowd seemed to notice or care about the woman's outburst, but the boy's head turned her way, dark eyes behind the sack widening in astonishment.
"First the song," the carny continued, seeming not to notice anything amiss.
He'd seen it all, after all, and dealt with unrulier crowds than this one. The coins were all that really mattered, and the boy would get his meal later, like the rest of them. It would be enough to keep him alive anyway, even if it did little to nourish. He strutted toward the corner where the boy was still cowering, brandishing a stick, with which he poked at the boy's arm.
"Sing for them, lad. Let them hear your voice," he urged, though there was no gentleness in his tone.