When will my reflection show
Who I am inside...
-Mulan, lyrics by David Zippel
"ponine. It was hers to bring to life. It was all she could hope for.
Lirssa had heard the music first. One night, as she sought a warmed wall in a safe alley, the music had reached out past a cracked open window, far beyond the faint light, and embraced her. Mr. Jolly, her tutor at the time, found the libretto and then the book. The words built a stage in her mind, and she cast parts for each role from her friends and acquaintances. But she was always "ponine.
It was why she chose "ponine's song for her audition: living on the streets, the dangers, determination, losses, and hopes were true to her. Lirssa understood these things in "ponine. While Lirssa had never been a thief, she had learned how to play roles to get something from people — get them to buy, toss coins at her feet, or pretend to care.
Lirssa's life was a phantom echo of "ponine's, and she drew on that to inform her performance, perfecting it with instruction from the director at each rehearsal. She had been hurt, even most recently shot.
Even unrequited love; yes, that, too, she knew.
Throughout her life, Lirssa had thought she would die young. Now, for a few weeks, every night, she would die on the stage and trust that her ending would not be like "ponine's.
"ponine. It was hers to bring to life. It was all she could hope for.
Lirssa had heard the music first. One night, as she sought a warmed wall in a safe alley, the music had reached out past a cracked open window, far beyond the faint light, and embraced her. Mr. Jolly, her tutor at the time, found the libretto and then the book. The words built a stage in her mind, and she cast parts for each role from her friends and acquaintances. But she was always "ponine.
It was why she chose "ponine's song for her audition: living on the streets, the dangers, determination, losses, and hopes were true to her. Lirssa understood these things in "ponine. While Lirssa had never been a thief, she had learned how to play roles to get something from people — get them to buy, toss coins at her feet, or pretend to care.
Lirssa's life was a phantom echo of "ponine's, and she drew on that to inform her performance, perfecting it with instruction from the director at each rehearsal. She had been hurt, even most recently shot.
Even unrequited love; yes, that, too, she knew.
Throughout her life, Lirssa had thought she would die young. Now, for a few weeks, every night, she would die on the stage and trust that her ending would not be like "ponine's.