~~~
"And over it all, the butterflies swarmed, like a million yellow-pettalled flowers dancing on swirling winds." ― Steven Erikson, Deadhouse Gates
~~~
Each person who experienced Lazarus Sleep experienced it differently.
For Atticus, at first, there was no feeling - which may not come as a shock to say about someone so muted, but it wasn't that they were muted as much as the fact that his entire state of being was reduced only to a vague awareness of the memory of existence. It was simultaneously like having ones consciousness spread exceptionally thin, and riding the edge of reality that comes between being awake and asleep.
There was a field on the edge of the Coven, and on the far side of that field, and away from the Coven, the Academy, and the house which now adorned the grounds, energy began to slowly coalesce. The process was painstakingly slow and happened over a number of days, with no hint of the occurrence visible to the naked eye save for a faint blue gloaming which hovered midair, roughly the size of a person.
In an almost necromantic way, energy was siphoned from the sunlight, from the wind that stirred through the trees, and the water freshly melting and beginning to run again; it was drawn from the charges in the air, amongst the clouds, and from the geologic dreams of the planet itself, deep within its core where metal runs like water. Energy was also siphoned from the Nexus itself, from that barrier of convergence between all realities that shaped the fabric of the shared universe of RhyDin.
As the energy signature gained critical mass, it gained more than awareness, it began to remember, and became self determining.
It, he, needed focus; the thing, the person that had brought him into the Nexus in the first place, the girl....Angel. Memories and thoughts floated back and began to assemble themselves in the jigsaw puzzle of his mind, and he began to assemble a sense of self, though he still had no form. He at least had his anchor, now.
Days passed.
His once tenuous grip on reality grew stronger - though still not in a physical way; he was still trying to understand what had happened. He could not remember dying, though he knew that in some way he had been gone in a fashion similar to death. It wasn't something that was completely unfamiliar to him, given his status as an archmage and the fact he'd literally devoted most of his existence to the study and perfection of his Arts. But he'd never been subjected to such an experience before.
The disorientation subsided enough, finally, to allow him to perform exercises - to test his strength, before he tried to assume physical form. If he wasn't ready, an attempt would set the process back weeks.
His earlier focus on Angel inspired him in his choice of test constructs. As more days passed, solid material slowly coalesced into shapes - eventually revealed as simple tools in the form of childrens playground equipment; a merry-go-round, a slide, and a see-saw, all from a substance which aesthetically appeared to be cold chrome, and perfectly seamless in its construction.
~~~
"Survivors do not mourn together. They each mourn alone, even when in the same place. Grief is the most solitary of all feelings. Grief isolates, and every ritual, every gesture, every embrace, is a hopeless effort to break through that isolation. None of it works. The forms crumble and dissolve. To face death is to stand alone." ― Steven Erikson, Toll the Hounds
~~~
"And over it all, the butterflies swarmed, like a million yellow-pettalled flowers dancing on swirling winds." ― Steven Erikson, Deadhouse Gates
~~~
Each person who experienced Lazarus Sleep experienced it differently.
For Atticus, at first, there was no feeling - which may not come as a shock to say about someone so muted, but it wasn't that they were muted as much as the fact that his entire state of being was reduced only to a vague awareness of the memory of existence. It was simultaneously like having ones consciousness spread exceptionally thin, and riding the edge of reality that comes between being awake and asleep.
There was a field on the edge of the Coven, and on the far side of that field, and away from the Coven, the Academy, and the house which now adorned the grounds, energy began to slowly coalesce. The process was painstakingly slow and happened over a number of days, with no hint of the occurrence visible to the naked eye save for a faint blue gloaming which hovered midair, roughly the size of a person.
In an almost necromantic way, energy was siphoned from the sunlight, from the wind that stirred through the trees, and the water freshly melting and beginning to run again; it was drawn from the charges in the air, amongst the clouds, and from the geologic dreams of the planet itself, deep within its core where metal runs like water. Energy was also siphoned from the Nexus itself, from that barrier of convergence between all realities that shaped the fabric of the shared universe of RhyDin.
As the energy signature gained critical mass, it gained more than awareness, it began to remember, and became self determining.
It, he, needed focus; the thing, the person that had brought him into the Nexus in the first place, the girl....Angel. Memories and thoughts floated back and began to assemble themselves in the jigsaw puzzle of his mind, and he began to assemble a sense of self, though he still had no form. He at least had his anchor, now.
Days passed.
His once tenuous grip on reality grew stronger - though still not in a physical way; he was still trying to understand what had happened. He could not remember dying, though he knew that in some way he had been gone in a fashion similar to death. It wasn't something that was completely unfamiliar to him, given his status as an archmage and the fact he'd literally devoted most of his existence to the study and perfection of his Arts. But he'd never been subjected to such an experience before.
The disorientation subsided enough, finally, to allow him to perform exercises - to test his strength, before he tried to assume physical form. If he wasn't ready, an attempt would set the process back weeks.
His earlier focus on Angel inspired him in his choice of test constructs. As more days passed, solid material slowly coalesced into shapes - eventually revealed as simple tools in the form of childrens playground equipment; a merry-go-round, a slide, and a see-saw, all from a substance which aesthetically appeared to be cold chrome, and perfectly seamless in its construction.
~~~
"Survivors do not mourn together. They each mourn alone, even when in the same place. Grief is the most solitary of all feelings. Grief isolates, and every ritual, every gesture, every embrace, is a hopeless effort to break through that isolation. None of it works. The forms crumble and dissolve. To face death is to stand alone." ― Steven Erikson, Toll the Hounds
~~~