((OOC Info - In a theater, the Green Room is generally a common area or lounge where actors and theater staff can relax between scenes or during intermission, or just hang out if there's no show in performance at the time. In the context of this forum, it occurred to me that such a designation would be ideal for short posts: drabbles, posting reactions to other threads without disrupting them, and vapor play. So here it is.))
———-
For a few days following the accident during Thursday evening's performance, conversations in the Shanachie's green room often turned to stories of mishaps on and off the stages that the performers had known. There was no mockery—indeed, Carina's recovery was much praised—but rather a common thread of shared experience.
"I was playing Edmund in a production of King Lear," Eregor was saying, "on the penultimate show of the run, and we'd reached the sword fight in the last act, myself vs. Edgar, who was disguised. So there we were, whacking away....and these were stage swords, of course, not sharp but still full-weight. Suddenly, in mid-swing, the blade of my sword came loose and went whoof-whoof-whoof," as he spinning gestures with his hand in an arc, "through the air to land at the edge of the stage."
One of the other actors let out a low whistle. "At least it didn't head into the audience!"
Eregor nodded vigorously. "I know! There we all were, frozen for an instant, and then Edgar cried out, 'A sword! A sword!" One of the guards ran out and gave me his sword, and we tried to get back into the fight, but getting the rhythm back was hard, especially since my replacement sword wasn't exactly combat-ready. Edgar came through again, shouting out 'Brother!' as he lunged, still disguised, and from there it just clicked and we were back." He chuckled and took a drink of tea. "Needless to say, Paul—that's Edgar's actor—got as much applause from the rest of the cast as he was getting from the audience as he stepped off-stage."
———-
For a few days following the accident during Thursday evening's performance, conversations in the Shanachie's green room often turned to stories of mishaps on and off the stages that the performers had known. There was no mockery—indeed, Carina's recovery was much praised—but rather a common thread of shared experience.
"I was playing Edmund in a production of King Lear," Eregor was saying, "on the penultimate show of the run, and we'd reached the sword fight in the last act, myself vs. Edgar, who was disguised. So there we were, whacking away....and these were stage swords, of course, not sharp but still full-weight. Suddenly, in mid-swing, the blade of my sword came loose and went whoof-whoof-whoof," as he spinning gestures with his hand in an arc, "through the air to land at the edge of the stage."
One of the other actors let out a low whistle. "At least it didn't head into the audience!"
Eregor nodded vigorously. "I know! There we all were, frozen for an instant, and then Edgar cried out, 'A sword! A sword!" One of the guards ran out and gave me his sword, and we tried to get back into the fight, but getting the rhythm back was hard, especially since my replacement sword wasn't exactly combat-ready. Edgar came through again, shouting out 'Brother!' as he lunged, still disguised, and from there it just clicked and we were back." He chuckled and took a drink of tea. "Needless to say, Paul—that's Edgar's actor—got as much applause from the rest of the cast as he was getting from the audience as he stepped off-stage."