It's all about timing. Alain's overcoat collar is turned up, the tails swaying and swirling behind him, cigarette hanging from lips twisted in a scowl. He bounces a bit with each step, an arrogant and angry strut, manila envelope clutched in one hand and a Leica camera in the other. The manna-powered cameras sway this way and that, and completely miss the detective's approach until he's right at the door. He tucks the envelope under his arm and knocks three times, loudly, with the back of his hand.
The warehouse looks like any other sandwiched between the Westend and the Dockside. The building has been weathered and worn by time with few doors and windows. The surrounding area isn't of the loveliest that Rhy"Din has to offer; in fact crime runs rampant along these dark, backstreets. The locale may not be befitting the status that Howe has suggested DCH has, and the warehouse may look grimy and rarely used, but the place has some security. Alain with his trained eyes would easily be able to detect what is currently in use. Perhaps not of the highest quality, there is no doubt that some investment has gone into securing the place. It is easy for the detective to realize they need help. They obviously aren't currently using an expert. Perhaps things aren't as rosy as Howe had suggested" But the money he'd already paid Alain was real enough.
It takes several minutes after Alain knocked for the door to creak open. An old man wearing glasses pinched atop his bulbous nose peeks through a crack in the wooden weather-beaten door. Staring wide eyed at Alain, the chain still kept in place for safety, as if Alain couldn't knock the door open anyway. "Yes" What ya want?" He asks in a none-too-polite tone of voice. Alain gives the old man an unpleasant smile, looks down to the envelope, and tugs out a few photographs of a certain Norseman entering the building with incense, candles....enough to know they do some kind of ritual in here. "Alain D'Mourir, here to speak to your boss about his security problem."
The old man looks at the pictures, squinting eyes and scowling. "Ya ain't got no business round these parts, boyo! Off with ya! We don't want any!" He didn't seem phased by the images; in fact, he is acting like they mean nothing to him. He waves a shooing hand at the detective as the door begins to shut. Then in the background a grumbling shout can be heard. "Let the boy in, idiot. Minions! You conjure them and no matter how enhanced a brain you give them they always come out lacking!"
The old man cringes and shuts the door. Alain can hear the scrapping of the chain being removed but when the door opens again; there is no sign of the old man, just an empty hallway and very, very little light. Somewhere out of that gloominess Howe calls. "Come on in, son. We got a lot of work to do." The voice comes from a room off to the left of the hallway. Alain walks inside and shuts the door behind him, not looking at it when he does, but at his surroundings. There are few places Alain will enter, not even his own home or workplace, without scoping it out for an ambush. He tucks the pictures back into the envelope and makes his way into the room.
Something strange must be going on. When Alain steps inside the interior somehow seems larger than it should as if more space is being taken up inside than the warehouse has outside. The left hallway has a myriad of doors leading off of it. To the right seems to be the same and directly in front of him are stairs that lead up at least four stories. Externally, the warehouse has two. A dim light at the end of the left hallway has a shadowy figure blocking it. The shadow's arm lifts and it seems to be waving Alain forward. "Down here, son. We'll worry about setting up office space another time. Today we have more important issues to discuss. We'll do that in the comfort of the sitting room.?
Comfort' Well on some levels there seems to have been some kind of effort made in that direction. However, the room is dark and airless, stale. The furniture although plush and expensive seems out of place and the room itself has no personality. No special touches brighten these living quarters, no pictures of children or relatives, no pretty mementos gathered through one's life. No, the room is sparse, empty save for the furnishings. It, like its masters, has no soul.
The warehouse looks like any other sandwiched between the Westend and the Dockside. The building has been weathered and worn by time with few doors and windows. The surrounding area isn't of the loveliest that Rhy"Din has to offer; in fact crime runs rampant along these dark, backstreets. The locale may not be befitting the status that Howe has suggested DCH has, and the warehouse may look grimy and rarely used, but the place has some security. Alain with his trained eyes would easily be able to detect what is currently in use. Perhaps not of the highest quality, there is no doubt that some investment has gone into securing the place. It is easy for the detective to realize they need help. They obviously aren't currently using an expert. Perhaps things aren't as rosy as Howe had suggested" But the money he'd already paid Alain was real enough.
It takes several minutes after Alain knocked for the door to creak open. An old man wearing glasses pinched atop his bulbous nose peeks through a crack in the wooden weather-beaten door. Staring wide eyed at Alain, the chain still kept in place for safety, as if Alain couldn't knock the door open anyway. "Yes" What ya want?" He asks in a none-too-polite tone of voice. Alain gives the old man an unpleasant smile, looks down to the envelope, and tugs out a few photographs of a certain Norseman entering the building with incense, candles....enough to know they do some kind of ritual in here. "Alain D'Mourir, here to speak to your boss about his security problem."
The old man looks at the pictures, squinting eyes and scowling. "Ya ain't got no business round these parts, boyo! Off with ya! We don't want any!" He didn't seem phased by the images; in fact, he is acting like they mean nothing to him. He waves a shooing hand at the detective as the door begins to shut. Then in the background a grumbling shout can be heard. "Let the boy in, idiot. Minions! You conjure them and no matter how enhanced a brain you give them they always come out lacking!"
The old man cringes and shuts the door. Alain can hear the scrapping of the chain being removed but when the door opens again; there is no sign of the old man, just an empty hallway and very, very little light. Somewhere out of that gloominess Howe calls. "Come on in, son. We got a lot of work to do." The voice comes from a room off to the left of the hallway. Alain walks inside and shuts the door behind him, not looking at it when he does, but at his surroundings. There are few places Alain will enter, not even his own home or workplace, without scoping it out for an ambush. He tucks the pictures back into the envelope and makes his way into the room.
Something strange must be going on. When Alain steps inside the interior somehow seems larger than it should as if more space is being taken up inside than the warehouse has outside. The left hallway has a myriad of doors leading off of it. To the right seems to be the same and directly in front of him are stairs that lead up at least four stories. Externally, the warehouse has two. A dim light at the end of the left hallway has a shadowy figure blocking it. The shadow's arm lifts and it seems to be waving Alain forward. "Down here, son. We'll worry about setting up office space another time. Today we have more important issues to discuss. We'll do that in the comfort of the sitting room.?
Comfort' Well on some levels there seems to have been some kind of effort made in that direction. However, the room is dark and airless, stale. The furniture although plush and expensive seems out of place and the room itself has no personality. No special touches brighten these living quarters, no pictures of children or relatives, no pretty mementos gathered through one's life. No, the room is sparse, empty save for the furnishings. It, like its masters, has no soul.